Grade – 10 – Music – Music Theory: Advanced Chromatic Harmony – Multiple Choice Questions

Multiple Choice Questions

Music Theory: Advanced Chromatic Harmony

Topic: Advanced Chromatic Harmony
Grade: 10 Music

Question 1:
Which chord is a common substitution for the dominant chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: b) Augmented sixth chord

Explanation: In advanced chromatic harmony, an augmented sixth chord is often used as a substitution for the dominant chord in a major key. This chord adds tension and leads to the resolution of the tonic chord. For example, in the key of C major, the augmented sixth chord (A♭, C, E♭, F♯) can be used to substitute for the dominant chord (G, B, D) before resolving to the tonic chord (C, E, G).

Question 2:
Which chord progression is an example of chromatic mediant harmony?
a) I – IV – V
b) I – bVI – bIII
c) I – ii – V
d) I – V – vi – IV

Answer: b) I – bVI – bIII

Explanation: Chromatic mediant harmony involves using chords that are a third apart and have one or more chromatically altered notes. The progression I – bVI – bIII is an example of chromatic mediant harmony because the chords (C major, A♭ major, and E♭ major) are a third apart and have chromatically altered notes. For example, in the key of C major, the bVI chord (A♭ major) and the bIII chord (E♭ major) are both a third away from the tonic chord (C major).

Question 3:
Which chord would be used to prolong the dominant function in a major key?
a) Augmented major seventh chord
b) Half-diminished seventh chord
c) Diminished seventh chord
d) Dominant seventh chord

Answer: a) Augmented major seventh chord

Explanation: To prolong the dominant function in a major key, an augmented major seventh chord can be used. This chord consists of a major seventh interval and an augmented fifth interval above the root. For example, in the key of C major, the augmented major seventh chord (G♯, B♯, D♯, F♯) can be used to prolong the dominant function before resolving to the tonic chord (C, E, G).

Question 4:
Which chord progression is an example of a secondary dominant?
a) I – IV – V
b) I – vi – IV – V
c) I – V/ii – ii – V
d) I – bVII – IV

Answer: c) I – V/ii – ii – V

Explanation: A secondary dominant is a chord that temporarily tonicizes a chord other than the tonic. In the progression I – V/ii – ii – V, the V/ii chord (A major) is the secondary dominant because it tonicizes the ii chord (D minor) before resolving to the V chord (G major). This creates a temporary tonal center on the ii chord before returning to the tonic (C major).

Question 5:
Which chord is a common substitute for the vi chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: a) Neapolitan chord

Explanation: In advanced chromatic harmony, a Neapolitan chord is often used as a substitute for the vi chord in a major key. This chord is a major triad built on the lowered second scale degree. For example, in the key of C major, the Neapolitan chord (D♭ major) can be used to substitute for the vi chord (A minor). This adds a chromatic and dramatic element to the progression.

Question 6:
Which chord progression is an example of chromatic planing?
a) I – IV – V
b) I – ii – V – I
c) I – IV – bIII – bVI
d) I – V – vi – IV

Answer: c) I – IV – bIII – bVI

Explanation: Chromatic planing is a technique where chords move in parallel motion by maintaining the same chord quality and altering the root note chromatically. The progression I – IV – bIII – bVI is an example of chromatic planing because each chord (C major, F major, E♭ major, and A♭ major) maintains the same quality and the root notes are altered chromatically. This creates a smooth and continuous sound in the progression.

Question 7:
Which chord is commonly used as a pivot chord in modulation?
a) Augmented major seventh chord
b) Half-diminished seventh chord
c) Diminished seventh chord
d) Dominant seventh chord

Answer: d) Dominant seventh chord

Explanation: A dominant seventh chord is commonly used as a pivot chord in modulation because it contains the leading tone of the new key. By using the dominant seventh chord of the new key, the modulation can be smoothly executed. For example, to modulate from C major to G major, the dominant seventh chord (D7) in the key of C major can be used as a pivot chord to transition to the key of G major.

Question 8:
Which chord progression is an example of modal mixture?
a) I – IV – V
b) I – bVII – IV
c) I – vi – IV – V
d) I – V/ii – ii – V

Answer: b) I – bVII – IV

Explanation: Modal mixture involves borrowing chords from the parallel minor key in a major key context. The progression I – bVII – IV is an example of modal mixture because the bVII chord (B♭ major) is borrowed from the parallel C minor key. This adds a different tonal color and creates a sense of tension and release in the progression.

Question 9:
Which chord is commonly used as a substitute for the ii chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: d) Secondary dominant chord

Explanation: A secondary dominant chord is commonly used as a substitute for the ii chord in a major key. This chord tonicizes the ii chord by creating a temporary tonal center on it. For example, in the key of C major, the secondary dominant chord V/V (D7) can be used as a substitute for the ii chord (D minor). This adds tension and leads to the resolution of the ii chord.

Question 10:
Which chord progression is an example of extended tertian harmony?
a) I – IV – V
b) I – ii – V – I
c) I – IV – bIII – bVI
d) I – V – vi – IV

Answer: b) I – ii – V – I

Explanation: Extended tertian harmony involves using chords that are built on thirds and include extended notes beyond the basic triad. The progression I – ii – V – I is an example of extended tertian harmony because it includes the ii chord (D minor seventh) and the V chord (G dominant seventh), which have extended notes (7th). This creates a richer and more complex harmonic texture in the progression.

Question 11:
Which chord is commonly used as a substitute for the IV chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: b) Augmented sixth chord

Explanation: In advanced chromatic harmony, an augmented sixth chord is commonly used as a substitute for the IV chord in a major key. This chord adds tension and leads to the resolution of the tonic chord. For example, in the key of C major, the augmented sixth chord (A♭, C, E♭, F♯) can be used to substitute for the IV chord (F major) before resolving to the tonic chord (C major).

Question 12:
Which chord progression is an example of chromatic modulation?
a) I – IV – V
b) I – vi – IV – V
c) I – V/ii – ii – V
d) I – bIII – bVI – bII

Answer: d) I – bIII – bVI – bII

Explanation: Chromatic modulation involves changing keys by using chromatically altered chords. The progression I – bIII – bVI – bII is an example of chromatic modulation because each chord (C major, E♭ major, A♭ major, and D♭ major) is altered chromatically, leading to a change in tonal center. This creates a distinct and dramatic shift in the progression.

Question 13:
Which chord is commonly used as a substitute for the iii chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: c) Diminished seventh chord

Explanation: A diminished seventh chord is commonly used as a substitute for the iii chord in a major key. This chord adds tension and can create a chromatic voice leading progression. For example, in the key of C major, the diminished seventh chord built on the lowered third scale degree (E♭ diminished seventh) can be used to substitute for the iii chord (E minor). This creates a unique and colorful sound in the progression.

Question 14:
Which chord progression is an example of extended harmony?
a) I – IV – V
b) I – ii – V – I
c) I – IV – bIII – bVI
d) I – V – vi – IV

Answer: b) I – ii – V – I

Explanation: Extended harmony involves using chords that have extended notes beyond the basic triad. The progression I – ii – V – I is an example of extended harmony because it includes the ii chord (D minor seventh) and the V chord (G dominant seventh), which have extended notes (7th). This creates a richer and more complex harmonic texture in the progression.

Question 15:
Which chord is commonly used as a substitute for the V chord in a major key?
a) Neapolitan chord
b) Augmented sixth chord
c) Diminished seventh chord
d) Secondary dominant chord

Answer: d) Secondary dominant chord

Explanation: A secondary dominant chord is commonly used as a substitute for the V chord in a major key. This chord tonicizes the V chord by creating a temporary tonal center on it. For example, in the key of C major, the secondary dominant chord V/V (D7) can be used as a substitute for the V chord (G major). This adds tension and leads to the resolution of the V chord.